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Edward Pistor Ebonised Bracket Clock With Verge
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Escapement. From a White Plains NY estate. – Dimensions: 19" h x 11" x 7.5"
A fine George III ebonised table clock of small pr
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A fine George III ebonised table clock of small proportions. John Johnson, Gray’s Inn Passage, London. Circa 1770, having a 5″ break-arched brass dial, the silvered chapter ring with Roman hours and Arabic minutes framing a matted centre with spade-form hour hand, all within cast rococo spandrels, the arch with silvered subsidiary Strike/Silent ring, the wire-driven twin-fusee movement now with anchor escapement (previously verge), the finely-engraved foliate backplate signed as above, the case having an ogee caddy top surmounted by a leaf-capped brass bale handle over flambeau cup-and-cover finials, the canted front with cast mounts, on a brass plinth and ogee bracket feet, (13.75″, (35cm) high excluding handle.
Condition
George III double fusee ebonised table clock, the back
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George III double fusee ebonised table clock, the back plate with fine foliate engraving and the movement with verge and crown wheel escapement, striking on a bell, the 6.75 arched brass dial signed Robert Ward, Abchurch Lane, London, with calendar aperture, the sides with pierced brass sound panels, surmounted by a caddy top and brass carrying handle, 47 cms high, Robert Ward was a clockmaker working in London between 1751 and 1775Provenance; by inheritance to the present vendor
A good mid 18th century ebonised bracket clock by
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A good mid 18th century ebonised bracket clock by Joshua Hewlett of Bristol. Having a 7″ break-arched dial, the silvered chapter ring with Roman hours and Arabic minutes framing a matted centre with calendar square, within rococo scroll spandrels, the arch with silvered boss engraved “Joshua Hewlett BRISTOL”, the five-pillar movement with verge escapement and gut-driven single fusee, the finely-engraved backplate with engraved repeat wheel, striking on two bells via three hammers, with original pendulum, the ogee caddy-top case with leaf-cast handle over break-arch moulding, the sides with arched quatrefoil-pierced fretwork, on block feet, 17.75″, (45cm) high excluding handle.
Condition
A late 19th century ebonised chiming bracket clock
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A late 19th century ebonised chiming bracket clock. Anonymous, circa 1900, having an 8″ break-arched dial, the silvered chapter ring with Roman hours, Arabic minutes and fleur-de-lis half hour divisions framing a matted centre, within cast spandrels beneath silvered subsidiary Chime/Silent and Westminster Chimes/Chime on Eight Bells dials, the movement with foliage-engraved backplate, striking on a coiled gong and quarter-chiming on a carillon, the break-arched case with flambeau cup finials over Corinthian columns, the sides with arched lattice tracery beneath leaf-capped handles on a cavetto-moulded base and brass ogee bracket feet, 19″, (48.5cm) high.
Condition
A GOOD EDWARDIAN MAHOGANY BRACKET CLOCK by EDWARD F.
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A GOOD EDWARDIAN MAHOGANY BRACKET CLOCK by EDWARD F. ASHLEY, 2 GREEN TERRACE, CLERKENWELL, LONDON, with engraved silver dial, with Westminster chime on eight bells. 27 inches high.
English Verge Fusee Bronze Carriage Clock
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English Verge Fusee Bronze Carriage Clock. 1.75 in. porcelain dial with black Roman hour numerals, fancy blued hands and a bronze bezel with convex glass; early brass single fusee movement signed ÂIsaac Birdwhisell, LondonÂ, has verge escapement, pierced decorated bridge and fancy cut pillars. In a 2 tone carriage clock case with turned feet and handle. Dial has a minor repair around the center hole, movement is wound tight and not running. 5 in. high x 2.75 in. wide x 1.75 in. deep. Weight: 0.75 lbs.