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Barraud & Lund Oak Cathedral Type Clock
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Barraud & Lund oak cathedral type table clock: Cornhill, London # 1645, Circa 1830, nicely engraved brass face plate; (Some losses to wood trim; small natural splits.)
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23 3/4″ T x 15″ W
Ingraham 8-Day Cathedral Style Clock-Pat. 1871
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Ingraham 8-Day Cathedral Style Clock, Figure 8 Glass door front, Patent Date-1871, 16″ Tall,9″ W
Condition
Waterbury Cathedral Style Clock 19″ Tall X 14″ W
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Waterbury Cathedral Style Clock (19″ Tall X 14″ W)
Condition
Sessions Cathedral Mantle Clock, 15 ½” Tall, 9 ¼”
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Sessions Cathedral Mantle Clock, 15 ½” Tall, 9 ¼” W
Condition
Balloon Clock Signed Barraud
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A 22″ fine mahogany cased Georgian era “balloon” bracket clock. The round silvered engraved dial is engraved “Barraud, London”. The name Barraud is associated with a family of Parisian makers as well as Cornhill, London, makers. We presume the latter London family to be the makers of this clock. The partnership of Francis and Paul Barraud operated 1759-1794, and two sons of Paul, James and John, both were later members of the Clockmaker’s Company in the early 1800s. Later, 1813-1836, the firm became Barraud & Sons. This clock was apparently fit with an alarm device as well as a strike mechanism.
Barraud & Lunds Bracket clock
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A mid 19th century English Oak Bracket clock by “Barraud & Lunds, 41 Cornhill, London #4214”. Worked 1838-1842. 8-day time and strike chain driven fusee movement with Silvered dial. Oak case with stepped top and molded base. Wear, damaged side fretwork panels. 16 1/2″ high.
Condition
Cathedral Clock
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An exceptionally well-crafted clock celebrating the middle ages cathedral at Reims, France. The Reims cathedral, often referred to by architectural students “…as the most beautiful structure produced during the middle ages”, stands as a proud symbol of France itself. The model, set with a working clock, is one of the best detailed and well cast clocks we have seen, made at a time when the French were at their peak of producing fine fire gilt castings. Hard to see, but a careful inspector will note the use of colored “stained” glass in the windows, some made from mother-of-pearl. Note as well the faithful reproduction of the saints’ statues across the center frieze. The clock itself runs with a silk suspension and count wheel strike, indicating an earlier date, possibly even 18th century. It is fit with a device to cause striking on a deep resonating gong in its ebonized base (with brass inlay). This together with what appears to the the original glass cover and framed print of the cathedral.The clock on top of the base stands 18″ in height.