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Large Tramp Art Cathedral-Form Clock
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Large Tramp Art Cathedral-Form Clock
early 20th century
chip carved pine in the form of a Gothic cathedral, 8-day dual spring time only movement, unsigned
35 1/2 x 19 x 11 1/2 inches
A French Gilt Bronze Cathedral-Form Clock
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A French Gilt Bronze Cathedral-Form Clock
Late 19th Century
with an associated painted wood base.
Height of clock 20 inches.
A LARGE CONTEMPORARY BRASS ‘CATHEDRAL’ SKELETON CLOCK
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A LARGE CONTEMPORARY BRASS ‘CATHEDRAL’ SKELETON CLOCK within a four glass dome. Clock 43 cm x 14 cm.
Ingraham 8-Day Cathedral Style Clock-Pat. 1871
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Ingraham 8-Day Cathedral Style Clock, Figure 8 Glass door front, Patent Date-1871, 16″ Tall,9″ W
Condition
French Gothic Revival Bronze ”Cathedral” Mantel Clock
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French Gothic Revival Bronze "Cathedral" Mantel Clock
early 19th century
the bronze case with gilded elements in form of a Neo-Gothic cathedral, 8-day brass time and strike movement with count wheel strike and silk thread suspension, the strike is on the upper bell
unsigned
22 1/2 x 9 x 5 inches
Tramp or Folk Art Carved Wood Cased Clock
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A n intriguing Arts & Crafts period carved wooden cased clock in tramp or folk art form. that measures 8″x 6″.
Cathedral Clock
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An exceptionally well-crafted clock celebrating the middle ages cathedral at Reims, France. The Reims cathedral, often referred to by architectural students “…as the most beautiful structure produced during the middle ages”, stands as a proud symbol of France itself. The model, set with a working clock, is one of the best detailed and well cast clocks we have seen, made at a time when the French were at their peak of producing fine fire gilt castings. Hard to see, but a careful inspector will note the use of colored “stained” glass in the windows, some made from mother-of-pearl. Note as well the faithful reproduction of the saints’ statues across the center frieze. The clock itself runs with a silk suspension and count wheel strike, indicating an earlier date, possibly even 18th century. It is fit with a device to cause striking on a deep resonating gong in its ebonized base (with brass inlay). This together with what appears to the the original glass cover and framed print of the cathedral.The clock on top of the base stands 18″ in height.